Cult Classics: She Wolves of the Wasteland


Following the success of Mad Max 2 was a handful of post-apocalyptic B-movies. Among those was She Wolves of the Wasteland (aka Phoenix the Warrior), a movie that killed the careers of nearly everyone in it. From its horrific editing and pacing to the terrible acting, She Wolves maintains an unsteady balance between boring and hilarious. For this discussion, we’re going to break the movie down into 4 parts.

  1. The Plot
  2. Interesting concepts
  3. The Editing
  4. Closure

 The Plot: She Wolves has a great premise, but suffers from an awful script, hilarious acting, and poor execution. The opening narration describes “bacteriological wars” (though there’s a big Geiger counter scene, so maybe a nuclear war too) that killed all the men on Earth and left only a handful of women. Of the original survivors, one called Reverend Mother uses “dark powers” to breed a new race of super women. When I heard this, I immediately thought of a cross between The Master from Fallout and Immortan Joe from Fury Road. Unfortunately, though there are some similarities throughout, the plot goes off in an entirely different direction.


The Road Warrior, without the flair

The story arc itself is pretty poor. The movie begins with a buggy chase through the desert, where a lone woman is being pursued by bounty hunters. After being captured, it is revealed that the woman is a breeder who escaped from captivity (another similarity to Fury Road) and stole Reverend Mother’s genetic seed. The seed was destroyed during the car chase. As punishment, Reverend Mother uses her psychic powers to drain the breeder’s life force, then explains that she’s dying and must to consume a man to survive.

The focus switches to the bounty hunters looking for a woman (Keela) in a village. Just as they find their target, a woman in a bikini (Phoenix) appears and murders a handful of the bounty hunters. Keela reveals that she is a breeder and is pregnant with a male child, prompting Phoenix to lead her to a safe place. The two women wander through the wasteland until they arrive at an oasis full of naked Amazonians dancing under waterfalls.

Cut 9 months ahead and Keela is giving birth to a male child. At the same time, the bounty hunters have finally found the oasis and launch an attack, killing all the naked women and forcing Keela and Phoenix to escape into the wasteland.


Despite being the main mcguffin, the kid is just there.

Cut 5 years ahead and Keela’s child has grown into a ninja star throwing toddler. However, Phoenix is worried that the Reverend Mother will eventually find them and briefly explains that she wants to escape out into the ocean and find an island. With bounty hunters still on their trail, the two set off and stumble upon the last man on earth, a guy named Guy.


A great way to introduce the character


But an underwhelming reveal

Unfortunately, the bounty hunters catch up with our heroes again. Phoenix is captured and placed in a gladiatorial arena. After killing all the other slaves, Phoenix is freed by Guy and Keela. The three steal a car and drive out into a legendary area known as “the badlands.” The badlands is actually a graveyard full of broken TVs, mummified bodies, and La-Z-Boys. The mummified bodies are revealed to be mutants who were waiting to trap our heroes and turn them over to the bounty hunters. Guy and the child are captured and sent to Reverend Mother. Looking to save their friends, Keela and Phoenix escape and travel all the way back to the village for a final showdown, where possibly the last human village on the planet is reduced to rubble.

Interesting Concepts: One of the reasons I think She Wolves is worth talking about is that although they are poorly executed, the film does have some interesting concepts. The movie takes a lot of inspiration from other post-apocalyptic movies, but it gives them a twist to make them feel fresh. The clearest source of inspiration comes from A Boy and His Dog, though the roles have been reversed. Instead of men looking for women, She Wolves has women who have learned to survive and even thrive without men.

Reverend Mother’s plan would have been interesting if the movie had put some more emphasis on what exactly it was. The movie focuses on the bounty hunters tracking down Keela and her son, but there was potential there for something more interesting. If the bounty hunters had been mutant super-women with incredible strength or hideous deformed monsters, the audience would have a feeling for the stakes of the situation and understand why Keela’s child cannot become another breeder. Instead, the movie (like Fury Road) is one long chase scene to capture the breeder and her child.


The Reverend Mother herself is also a pretty interesting idea and has some great makeup (for the budget). She’s a hideous deformed psychic in a wheelchair fitted out with life supporting cybernetics.She lives in a bomb shelter underneath the only town in the wasteland. It is later revealed that after the war, she was the last person on the planet and that everyone in the movie is actually one of her children or grandchildren. Although improbable, this was a great line to throw in and is somewhat foreshadowed by the Reverend Mother’s name; though it does mean that the movie technically contains incest.


The sound effects and tone of this scene were excellent!

My favorite part of the movie was the TV cult. One of the hallmarks of post-apocalyptic fiction today is social commentary, usually in the form of a tribe immortalizing some trivial aspect of modern society. Fallout has been doing this for years. She Wolves’ TV cult was just plain fun. A graveyard full of corpses forever staring at broken TVs, cathode tubes used as jewelry, trespassers made into TV antennae’s, and best of all using an old decaying TV Guide as a holy book. I honestly wish this had been a bigger part of the story.

Editing: The acting in She Wolves ensured that this movie would be a disaster, but the editing made a few scenes downright confusing. Characters are frequently cut off before they finish speaking, a few lines are done in ADR, and the same grunt and gun fire sound effects are reused to no end. Worst of all though is the time lapses. She Wolves takes place over nearly six years, but there’s no transition between Keela revealing she’s pregnant and actually giving birth. There’s no transition between escaping the Amazonian camp and a toddler throwing a ninja star. Admittedly, there are a few nice pieces of cinematography in this movie, but they ultimately fall short because of the horrific editing.

Closure: The ending of this movie deserves its own section. The movie builds up to the big confrontation between Phoenix and Reverend Mother, then nothing happens. The movie ends without explanation. Guy, the last man on earth, is captured and sent back to the breeding tanks, never to be heard from again. The only town in the wasteland was blown apart. The Reverend Mother had the child that would give her unlimited power, but she put him in a cage and laughed at him, rather than consumed him. Keela defeats Reverend Mother by disabling her life support system and the movie just ends. There’s no closure. The movie cuts from Reverend Mother’s corpse to Phoenix riding a horse. There isn’t even a closing narration.


            She Wolves of the Wasteland is a bad movie, but it’s the kind of bad that makes you want to keep watching. The concepts are fun, the action is OK, and the acting is hilariously bad. The movie feels unfinished though. Given a bigger budget, some good actors, a better script, and a decent editor, I believe this movie could have been on par with A Boy and His Dog. As it stands, She Wolves is a complete disaster that should only be watched if you’re a fan of bad movies.

One comment on “Cult Classics: She Wolves of the Wasteland

  1. […] mutants were seen in some of the lower budget films (such as She Wolves of the Wasteland or Warriors of the Apocalypse), but were mostly feral creatures that killed everything in their way […]


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s