MUTANT FOOTBALL LEAGUE: Attack of the 20ft Wez


I’ve been conflicted over whether I should talk about Mutant Football League at all. This is mostly because I funded the game on Kickstarter last year when it was in pre-alpha. I also realize I’m probably not the intended audience, even within the art style’s genre. My yearly exposure to football is limited to a few Buffalo Bills games and the Super Bowl. The last football game I played before MFL was Madden 06. What I’m trying to say is that it’s not as cut and dry as previous games I’ve discussed.

The premise is pretty simple. It’s an anything goes apocalypse! The dead are rising out of their graves, a tidal wave of orcs pollutes the air with a noxious green haze, robots are leaking oil, aliens have made football stadiums on the moon, and clones of Vernon Wells are wreaking havoc all across America. But that’s not all. Blood is raining from the sky in Killadelphia and the world’s #1 pastime is sponsored by… “Monsatan Industries.” Nearly every element of NFL culture is tweaked to meet the theme. It’s silly, visually appealing, and portrays a post-apocalypse that’s simultaneously grimdark and chuckle worthy. 20180208112956_1.jpg

Taking place in a violence-obsessed post-apocalypse, Mutant Football League has some interesting twists up its sleeves. The game’s own promotional material says killing five quarterbacks to force a forfeit is a perfectly acceptable strategy. However, while the AI loves to use Quarterback Sack Attack, I’ve yet to see myself or anyone else lose in this manner.

Mutant Football League also includes Dirty Tricks, a series of special plays which typically function as a guaranteed touchdown, guaranteed fumble, or both. For example, on offense you can take out a shotgun during a run play and reduce the entire opposing team to swiss cheese. On defense, you can turn 20ft tall, instantly kill or fumble anyone you touch and then easily make a touchdown because no one dares tackle the giant mutant on the field. Overall, Dirty Tricks make the game interesting and unpredictable as every team has its own set of tricks.


Notice the score. This is hard difficulty. Also notice how the ball grows in proportion to the ginormous player.

Opposing players aren’t the only thing to look out for. Mutant Football League fields are covered in hazards: Landmines, bottomless pits, sandworms, razorblades, and much more. Among these, one specifically stands out. It’s incredibly difficult to go out of bounds in MFL because the sidelines are often replaced with pools of blood or lava. This means you can’t maximize your yardage by diagonally cutting across the field. Instead, you have to jump, spin, punch, or dive your way out of danger or trick the other team into falling into a pool of acid.

Unfortunately, the AI in Mutant Football League is embarrassingly bad. You almost have to play against another human to face any sort of challenge. Back in the demo days of MFL, I would often shut out the other team by up to 48 points in just two quarters. Things aren’t much better in the full release.  On All-Pro difficulty (Hard), I kicked the ball toward the obvious obstacles, only for the returner to instantly die by falling into a bear trap, causing a fumble. My team picks up the ball and makes a touchdown. THEN THE EXACT SAME THING HAPPENED AGAIN 17 SECONDS LATER. Meanwhile, on Masochist difficulty (very hard) the AI will generally intercept any pass you make and will regularly make field goals from up to 50 yards away.


Our lovely narrator.

Even though I’m not a big fan of the gameplay or AI, the art style is really the star of the show. The stadiums look great, the team logos are sleek, and the commentators are good…for a while. The narration usually doesn’t reflect gameplay as players have come to expect from other, modern sports games. Sure, you’ll hear general remarks that relate to the game “Rev up your engines! It’s time for a chainsaw massacre.” “The 40, the 30, the 20, the 10, HE’S GOING ALL THE WAY,” but I don’t think I’ve ever heard the commentators specifically mention a player by name. This is despite the fact that Tim Kitzrow, the lead narrator, is quoted as saying “”In what other video game could I talk about deflated balls?…[such as] after that vicious sack, Bomb Shadey will be playing with deflated balls for the rest of his career!” I usually play the Nuked London Hatriots and I’ve never heard that quip.

Between plays, the commentators will do a series of short skits. Unfortunately, this leads to the same problem every other comedy game faces: repetition. The more times you hear a joke, the less funny it is. You’ll hear “Oh my god! A man in a prison uniform just came on the field!” followed by “That’s the referee you idiot” dozens and dozens of times. It’ll make you smile the first time, but by the end of the football season, you’ll probably end up turning the commentators off. There’s just not enough material to keep it lively. In my opinion, one of the best examples of doing this right is Monday Night Combat, where the announcer usually chimes in at the beginning and end of each match (like Team Fortress 2), but also to inform players when interesting things are happening (churros/bacon/Bullseye appearing, impressive kill streaks, and specialist robots on the field). It still gets old after a while, but it retains some staying power by using narration as a spice rather than a sauce. Players aren’t slathered with it, but have just enough to make for an enjoyable experience.


What we expected from the Humans class.

Then there’s the players. Most player names are a parody of either a real NFL player or a sci-fi character. The first thing you’ll, unfortunately, notice about them is that they all have the same character model. Each species of player is exactly the same, give or take the size of their padding. This is honestly disappointing as characters parodying NFL stars have unique portraits and stats, but completely average appearances. Not only that, but their facial expressions are locked in a static pose; the lower jaws move, but face and eyes do not. This is especially noticeable with the human players. I might also say that their sideline quips usually aren’t funny. Many player lines are just references or the equivalent of yo-mama jokes.


How every human looks in MFL. Notice his left hand is clipping…

I also found some of the team compositions to be off the mark for my tastes. For example, a few teams are themed to be a single species in complementary colors. The Orcs of Hazzard, for example, is a team comprised entirely of big green Orcs in scrap metal armor. Meanwhile, another team has mustard yellow orcs and skeletons with yellow bones playing alongside blue robots. It doesn’t necessarily break the games’ immersion, but I almost wish each team was comprised of just one or two species then have an All-Star team to bring them all together. Also there’s no team made of just Wez clones, so that’s a bummer.

Overall, Mutant Football League is fun…for a while. The art direction has a lot of charm, the dirty tricks are sure to delight, and the AI bashing its head against the wall will at least make for a great highlight reel. Still, I don’t think it’ll end up on my replay list anytime soon. It’s average. Not bad, just middle of the pack. Also their Super Bowl prediction was waaaaay off.

If you’re interested in getting Mutant Football League for Steam, click here.


Welcome to Killadelphia. Would you like to see our blood rain and giant bells?

Cult Classics: Wheels of Fire

Following the success of Mad Max 2 was a handful of post-apocalyptic B-movies. Among those was Wheels of Fire (also known as Pyro, Vindicator, and Desert Warrior), a surprisingly decent take on the post-apocalyptic genre which takes a lot of inspiration from the perfectly hammy Warriors of the Wasteland. Despite some mediocre cinematography and acting, Wheels of Fire proved to be a fast paced, action packed, and overall interesting movie. If you follow our cult classics section regularly, you know how this works by now, we’re going to break the movie into four parts.

  1. The plot
  2. Interesting concepts
  3. Cinematography
  4. The ending

The Plot: First of all, this story is massive. Warriors of the Wasteland was just as long, but most of the movie was overextended fight scenes. Wheels of Fire always has something new happening. The scale is massive and so is the synopsis.


Our story begins with typical not-Mad-Max archetype, Trace, entering a merchant village. Here we’re introduced to his younger sister, Arlie, and her annoying, controlling boyfriend. In the first five minutes, Arlie’s boyfriend fights in a gladiatorial arena where contestants wear car keys around their necks and beat each other with PVC pipes. Don’t think about it too much. It doesn’t matter. Continue reading

Rick and Morty and the Subtly of a Giant Arm

You can watch the episode in question at until August 6th


Since Rick and Morty had a Mad-Max style episode, I think it’s time to step beyond our normal comfort zone of Mad-Max and terrible B-movies and talk about it. This episode had some serious hype behind it following the April 1st season premier. After flushing three years of world building down the drain and alienating a member of the main cast in a series of increasingly intense action scenes, the second episode of Rick and Morty’s third season, “Rickmancing the Stone,” had a lot to live up to. Adult Swim published a behind the scenes preview of this particular episode portraying exactly what you’d expect from a Mad-Max parody: Cars, rusty shotguns, and lots of BDSM gear. Did “Rickmancing the Stone” live up to the hype?
In my opinion…not really.


Before we get into why I think this episode fell short, I’ll give credit where it’s due. The art direction in this episode is fantastic. A lot of post-apocalyptic artwork falls into what I call “Apocalyptia Generica,” a style that never quite becomes its own, but rather falls between Mad-Max and realistic urban warfare. For a perfect example of this, see Wasteland Angel.

“Rickmancing the Stone” certainly avoids being generic. Everything has a uniquely 80’s sci-fi style with brilliant and vibrant color schemes. Every single wastelander has a unique character design, even when there are dozens of them on screen at time. I would seriously take any establishing shot in this episode as a desktop wallpaper.

Continue reading

Desert Law: School Bus Mounted Howitzer

desert-law_w1010.pngMy Steam library is filled with post-apocalyptic games. Generally, I’ll pick up (or at least wishlist) any apocalyptic game I come across. Desert Law, a real time strategy game, has been in my library for about two years. I picked it up on sale, played it for 10 minutes, and then uninstalled it. However, enough time has passed that I thought the game deserved another chance. Unfortunately, the game aged about as well as a bloated corpse in the wasteland sun.

Desert Law’s narrative makes Wasteland Angel look complex by comparison. After the apocalypse, tribes of road warriors kill each other over booze and car parts. What kind of apocalypse is this? We don’t really know. The entire world is a desert and some places are populated by angry sentient zombies napping beneath the sand.
Here’s the story: Generic wastelander Brad wants to woo a girl for mating season, but rival tribes of gangsters and pre-apocalypse military keep mucking up his plans. Brad convinces his tribe to kill everyone in their way until Jane (the love interest) notices him. Continue reading

Smegma Crazies, Gayboys, and The Golden Youth


On the surface, The Road Warrior is a fine action movie that defined the post-apocalyptic genre and put everyone involved on the map. If we put aside the action and go a little deeper, we start to see some interesting clues about the Humungus tribe. As we already saw with Lord Humungus and especially Fury Road, George Miller loves adding cryptic details into his films. Perhaps the most discussed and yet mysterious of these details revolves around the Humungus tribe’s not-so-subtle homoeroticism.

Continue reading

Cult Classics: Warriors of the Wasteland

Following the success of Mad Max 2 was a handful of post-apocalyptic B-movies. Among those was The New Barbarians (aka Warriors of the Wasteland), a dirt-cheap Italian knock off. Despite a slow start, this movie actually isn’t terrible, it just has low production values. However, I noticed a lot of similarities between this film and She Wolves of the Wasteland. Both have alternate titles. Both have promising, but underdeveloped plots and concepts. Both suffer from poor editing and a lack of closure. For that reason, let’s use a similar four points system as She Wolves, with one exception.

  1. The Plot
  2. Interesting concepts
  3. Editing
  4. Characters

The Plot: The year is 2019. It has been 9 years since the nuclear holocaust of 2010 (thanks, Obama). The film opens on a small caravan who has just discovered “The Signal,” a mythological radio frequency supposedly originating from the last civilization on Earth. Unfortunately, before the tribe can decipher the coordinates, they’re attacked by a rival tribe of motorized marauders called “The Templars” whose only goal is to destroy all human life…because reasons.


The Templars crush their enemies with a mixture of explosives and laser guns. That night, timid humans wrapped up in white rags appear to loot the burned out caravan. We never learn who these scavengers are, but they have a striking resemblance to the Buzzards from Mad Max: Fury Road.  Before they can divvy up the loot, a muscle car with a glowing green roof roars out of the blackness. Enter our hero, Scorpion. Continue reading

What is MUTATION: The Wasteland Survival Guide?

MUTATION: The Wasteland Survival guide is a six episode long series exploring the quirky and unusual world of MUTATION, as seen in The Journal of Joe Junkman. The show itself documents the writing of the Mo-Javi Wasteland’s very first survival guide. Charged with writing this book is wasteland legend James Gray and local shyster Joe Junkman. Throughout their journey, our heroes will struggle with radioactive dust storms, water scarcity, and each other.

I want to break character for a moment to say how excited I am to be moving forward with this project. The world of MUTATION has gone through a lot of change since its conception. What originally began as a pen and paper RPG has transformed into serial fiction, a website, and a show. I can’t wait to see where it goes next.

To make a long story short, Ben and I got together in the summer of 2015 and began brainstorming ideas for this short series. Although we have all the footage, brainstorming was about as far as it got. It seems embarrassing now, but we didn’t have a script or anything. Essentially, we had a concept for each episode and a location. For better or worse, almost every scene is improvisational.

When I first established this website, I had no idea what the response would be. These past few months, I’ve been consistently amazed at the hospitality and support I’ve received from the online post-apocalyptic tribe. Thank you for giving us a chance and following our stories week after week.

I’d also like to announce at this time that Ben and I are planning to attend Wasteland Weekend this year! I’ll be in character as James Gray and I believe Ben will appear as Joe Junkman.

We hope to see some of you there! The Rad-Lands wouldn’t be here without you.

-Ron Welch