How can you talk about post-nuclear fiction without talking about Mad Max 2: The Road Warrior? Director George Miller set the tone of an entire genre with his high octane sequel, but the truth is that Mad Max 2 is not a post-nuclear film. The first two films showcased crumbling and inevitable downfall of society, but it was not until Beyond Thunderdome that the theme of post-nuclear survival came into play.
The original Mad Max chronicled the downfall of society. Gang members from the dying cities fled into the Australian outback, feasting on their fellow men while cops tried to uphold some semblance of law. There was no mention of radiation, mutation, or fallout. Likewise, the opening narration of Mad Max 2 did not include any mention of nuclear weapons either, but rather, “Without fuel they (the great tribes) were nothing. They build a house of straw. The thundering machine sputtered and stopped”. Originally, the world of Mad Max was about an energy crises that caused all cities to stop and fall apart. The Road Warrior follows up on that, showing what happens after society has collapsed. Continue reading