Wastelands: Salvage

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As stated on Twitter, I recently picked up Wastelands: Stories of the Apocalypse an anthology of post-apocalyptic shorts. The series includes many notable authors, some of whom were recommended to me. With this series, I want to look at each story to get a better grasp on the plot, characters, and the apocalypse itself. This promises to be one of the few times The Rad-lands will be breaking away from specifically post-nuclear fiction.


MV5BODU4ZTczOGUtOWMyZC00MDQzLTkzOWItMWQ2NmM0YzZjMDEwXkEyXkFqcGdeQXVyNDUzOTQ5MjY@._V1_UY317_CR34,0,214,317_AL_“Salvage” is one of those stories that just makes me roll my lips and go “brrrrrtttt” until I run out of air. I had to read this story twice because the first run just didn’t stick with me. It’s purely subjective, but something about the prose or the way characters talk gave my internal narrator an uncomfortable southern drawl that made the words feel slow and sticky, similar to Willem Dafoe’s performance as Rat in Fantastic Mr. Fox. While hunting down illustrations for this piece, I noticed that discussion on this story is pretty scant. Frankly, I wasn’t surprised to find “Salvage” has a 2.5/5 average on Goodreads. That having been said, if you can get past the thick dialect and the lack of context for the surrounding world, I think you’ll find something worth salvaging from the murky depths of The Mormon Sea. Continue reading

Rick, Morty, and the Subtly of a Giant Arm

THIS DISCUSSION IS SPOILER HEAVY
You can watch the episode in question at AdultSwim.com until August 6th

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Since Rick and Morty had a Mad-Max style episode, I think it’s time to step beyond our normal comfort zone of Mad-Max and terrible B-movies and talk about it. This episode had some serious hype behind it following the April 1st season premier. After flushing three years of world building down the drain and alienating a member of the main cast in a series of increasingly intense action scenes, the second episode of Rick and Morty’s third season, “Rickmancing the Stone,” had a lot to live up to. Adult Swim published a behind the scenes preview of this particular episode portraying exactly what you’d expect from a Mad-Max parody: Cars, rusty shotguns, and lots of BDSM gear. Did “Rickmancing the Stone” live up to the hype?
In my opinion…not really.

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Before we get into why I think this episode fell short, I’ll give credit where it’s due. The art direction in this episode is fantastic. A lot of post-apocalyptic artwork falls into what I call “Apocalyptia Generica,” a style that never quite becomes its own, but rather falls between Mad-Max and realistic urban warfare. For a perfect example of this, see Wasteland Angel.

“Rickmancing the Stone” certainly avoids being generic. Everything has a uniquely 80’s sci-fi style with brilliant and vibrant color schemes. Every single wastelander has a unique character design, even when there are dozens of them on screen at time. I would seriously take any establishing shot in this episode as a desktop wallpaper.

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How Mad Max 2 Defined a Genre

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How can you talk about post-nuclear fiction without talking about Mad Max 2: The Road Warrior? Director George Miller set the tone of an entire genre with his high octane sequel, but the truth is that Mad Max 2 is not a post-nuclear film. The first two films showcased crumbling and inevitable downfall of society, but it was not until Beyond Thunderdome that the theme of post-nuclear survival came into play.

The original Mad Max chronicled the downfall of society. Gang members from the dying cities fled into the Australian outback, feasting on their fellow men while cops tried to uphold some semblance of law.  There was no mention of radiation, mutation, or fallout.  Likewise, the opening narration of Mad Max 2 did not include any mention of nuclear weapons either, but rather, “Without fuel they (the great tribes) were nothing. They build a house of straw. The thundering machine sputtered and stopped”.  Originally, the world of Mad Max was about an energy crises that caused all cities to stop and fall apart. The Road Warrior follows up on that, showing what happens after society has collapsed. Continue reading