Nuka Dark Rum Is Insulting

Fallout Nuka Dark Header

Alright… this isn’t going to win me any fans, but I think someone in the Fallout community needs to say it. Nuka Dark rum is insulting. It is symbolic of a big rusty nail in the coffin of the Fallout franchise.

What do I mean by that? Fallout is bigger than ever. Its games are incredibly popular and review really well. That’s kind of the problem. Bethesda has taken a Disneyesque approach to branding. The focus is not on Fallout, the video game, it’s on Fallout the Lunchbox, Fallout the doll and yes… Fallout the dark rum. Continue reading

Advertisements

The Enclave Is Stupid and Embarrassing

Fallout Enclave Logo

The Fallout franchise has a lot of memorable factions: The Brotherhood of Steel, the NCR, the Khans, the Institute, the Kings, and the list goes on. Then there’s the Enclave. A lot of people like this faction and I’m not really sure why. Their ambitions are far worse than Caesar’s Legion and it seems there’s a lot of misinformation about what the Enclave actually does. Chalk that one up to bad writing.

The Enclave’s end goals are dubious, their plans poorly thought out and their leaders are morons. Ultimately, they have no stake in wasteland politics. This isn’t entirely Bethesda’s fault. Truth is, the Enclave was broke from the start. Continue reading

The Interactivity Curve of Fallout: Shelter

Fallout Shelter Header

If you follow The Rad-Lands on Twitter, you might know I’ve been playing a lot of Fallout: Shelter recently. I find the game pretty intriguing. The art direction has a lot of charm, the gameplay is smooth and can be picked up in a few minutes, and it feels great to do whatever is necessary to earn a lunchbox. Although this game does a lot right, it also takes a few missteps. Rather than providing a consistent curve of player interaction, Fallout: Shelter suffers from peaks and valleys.

The majority of Fallout: Shelter is built upon waiting. You put dwellers into the right room and you wait. You send people out into the wasteland and you wait. What separates Fallout: Shelter from similar time-lapsing mobile games is the illusion of agency. Because new rooms are built instantly and there’s an emphasis on collecting better equipment, players feel like they’re doing more than they are. Although unlocking a new room feels interactive, it is really just the beginning of a new timer. Continue reading

How Fallout Reshaped a Genre

fallout T-51b

The year was 1997. The Cold War had been over for almost six years. Fear of nuclear annihilation took a backseat in the public’s mind.  Post-nuclear fiction disappeared almost overnight. 1995 saw a brief resurgence with the Judge Dredd film (a critical disaster) and the release of the I Have No Mouth and I Must Scream computer game. For a brief moment, it seemed that tales of the apocalypse might die out.

Then, like a messiah emerging from the wastes came Fallout.  The game reenergized the genre, primarily by solidifying the post-post-apocalyptic genre, normalizing sentient mutants, and developing a tone and motif between Mad Max and A Boy and His Dog that would engage fans of those respective intellectual properties.

Continue reading