Following the success of Mad Max 2 was a handful of post-apocalyptic B-movies. Among those was The New Barbarians (aka Warriors of the Wasteland), a dirt-cheap Italian knock off. Despite a slow start, this movie actually isn’t terrible, it just has low production values. However, I noticed a lot of similarities between this film and She Wolves of the Wasteland. Both have alternate titles. Both have promising, but underdeveloped plots and concepts. Both suffer from poor editing and a lack of closure. For that reason, let’s use a similar four points system as She Wolves, with one exception.
- The Plot
- Interesting concepts
The Plot: The year is 2019. It has been 9 years since the nuclear holocaust of 2010 (Thanks, Obama). The film begins by focusing on a small caravan who has just discovered “The Signal” a mythological radio frequency that supposedly leads to the last civilization on Earth. Unfortunately, before the tribe can decipher the coordinates, they’re attacked by a rival tribe of motorized marauders called “The Templars” whose only goal is to destroy all human life because reasons.
The Templars crush their enemies with a mixture of explosives and laser guns. That night, timid humans wrapped up in white cloth (with a strong resemblance to Mad Max buzzards) loot the destroyed caravan. They run for cover when a muscle car (with a glowing green roof) appears form the darkness. Now we meet our hero, Scorpion.
After looting the scene and killing the buzzards, Scorpion meets with his friendly wasteland mechanic, a 10-year-old boy. With his car repaired, Scorpion drives off to save a van under attack by the Templars. The only survivor of the attack is a woman who Scorpion saves in the nick of time. Scorpion confronts Templar lieutenants, revealing that he is an ex-Templar and wants to send a message to the Templar leader, One.
Scorpion drives off with the woman, attempts to bandage her wound, and then immediately has sex with her. Meanwhile the Templar lieutenants plan to ambush Scorpion against One’s wishes. The ambush turns into a counter attack when Scorpion’s best frenemy Nadir fires on the Templars with exploding arrows.
Scorpion, the woman, and Nadir then travel to a caravan of peaceful religious people who have also found “The Signal.” The woman decides to stay with the caravan, while Scorpion drives off only to be immediately captured and anally raped by One. The Templars attack the caravan as well, killing the entire tribe almost immediately. Meanwhile, Nadir rescues Scorpion and trains him alongside the child mechanic. Finally, the three return to the religious caravan, rescue the survivors just before their executions, and defeat the Templars.
Interesting Concepts: Although Warriors of the Wasteland uses more sci-fi elements than Mad Max, there are only two truly interesting concepts in this film.
The Signal is a great idea. A legendary radio signal that will lead those who find it to the last civilization on Earth. To complete the motif, the leader of tribe looking for the promised land is named Moses. The true nature of The Signal is left ambiguous. Both tribes who discover The Signal are immediately attacked by the Templars. However, even the Templar lieutenants believe The Signal to be real.
Apparently, the source of The Signal is only 10 miles from Moses’ camp, but we never learn what happens to it. At the end of the movie, Moses’ tribe is wiped down to three people. The movie ends with the mechanic child grabbing Scorpion’s hand. The audience never learns if The Signal actually led to the promised land or if there is a last civilization at all.
Warriors of the Wasteland is clearly a Road Warrior knockoff, but it builds on car combat. Cars are armed with drills, flamethrowers, laser cannons, missiles, spinning blades to decapitate pedestrians, and laser cannons. Perhaps one of the best examples of car combat in this movie is when a Templar drills through an armored fan, then uses his flamethrower to burn the target from the inside out. Warrior’s car combat relies more on mechanical weapons while Mad Max (especially Fury Road) relies on projectile (thundersticks) and passive (kneecappers) weapons.
Editing: Each action scene in Warriors was filmed at three different speeds. Whereas Mad Max has fast paced action scenes where you can feel the wind, the danger, and the tension, Warriors of the Wasteland suffers from slower action. Many of the action scenes are purposely slowed down which destroys any sense of tension. This is especially true in the first battle, just five minutes into the movie, where it feels like the Templars are driving at 15 MPH. Additionally, many of the battle scenes have choppy editing that breaks the narrative flow.
Characters: The characters here are totally hit or miss. For every interesting person in this movie, there are three with no characterization.
Scorpion can best be described as Not-Mad-Max. He’s a scavenger who shows up to loot a burning caravan. Other than that, he really has no character, he’s just a nice guy who knows how to fight. The woman sleeps with him because he’s nice to her. The child mechanic helps him because he’s nice. Scorpion even refuses to attack Templars because his real qualm is with One. The result is a boring lead.
I honestly could not tell you the woman’s name in this movie. Scorpion saves her, sleeps with her, and for the next 45 minutes she patiently waits in his car (even during action scenes) until finally deciding she should follow Moses’ tribe so she can be captured for the finale. Where was she going before Scorpion saved her? Who was she traveling with before they were attacked by Templars? We never find out.
One is a weird guy. He’s the leader of the Templars, but he only ever fights Scorpion. In the beginning of the movie he rips a bible in half and says “books started this whole apocalypse.” Maybe Warriors is a sequel to the Fahrenheit 451 movie? Other than that, One is a standard bad guy. He kills his own men when they disobey and he whispers to himself before getting into a shouting fit. Whenever a Templar asks him a question, the answer is always some variation of “kill them.” However, there is just a glimmer of extra characterization. During the previously mentioned rape scene, it’s established that all Templars are sodomized by One as an initiation ritual.
Nadir should have been the star of this movie. There’s two posters for this movie, one that portrays Scorpion, Nadir, the child mechanic, and the woman and another portraying Nadir as white accompanied by the woman. Fred Williamson plays Nadir and uses his natural charisma to create a character who is funny, stern, and perfectly hammy. Williamson’s performance makes the character far more interesting than he actually is. Without the performance, Nadir’s character is a barebones warrior who always appears just in time to save Scorpion from certain doom, which causes Scorpion to resent him. That’s about the extent of his characterization.
Although it suffers from slow pacing, Warriors of the Wasteland has some neat ideas. The film takes a few tentative steps toward expanding car combat and it features an interesting religious concept. Unfortunately, the film ends without any real resolution. Once the bad guys are dead, everyone gathers around Scorpion and the movie just ends.