On the surface, The Road Warrior is a fine action movie that defined the post-apocalyptic genre and put everyone involved on the map. If we put aside the action and go a little deeper, we start to see some interesting clues about the Humungus tribe. As we already saw with Lord Humungus and especially Fury Road, George Miller loves adding cryptic details into his films. Perhaps the most discussed and yet mysterious of these details revolves around the Humungus tribe’s not-so-subtle homoeroticism.
Mad Max: Fury Road had a lot of memorable catchphrases, but one of them transcended becoming a meme and instead appealed directly to one of the film’s overarching themes. Written inside Five Wives’ vault was “WE ARE NOT THINGS”. The audience immediately relates this phrase to the wives’ role as breeders. However, by looking at the whole of Immortan Joe’s society, as well as some small details from the Fury Road comics, it can be seen that this phrase applies to every resident of The Citadel. Continue reading →
The Lord Humungus is a perfect example of how an outwardly one-dimensional villain can become human through small details. Looking at The Road Warrior’s script, one would get the impression that Lord Humungus is just a means of creating conflict, but the visual medium of film allows this character to become two dimensional. Cleverly, director George Miller planned for this from the beginning by wring backstories for each character in the Mad Max franchise. Continue reading →
How can you talk about post-nuclear fiction without talking about Mad Max 2: The Road Warrior? Director George Miller set the tone of an entire genre with his high octane sequel, but the truth is that Mad Max 2 is not a post-nuclear film. The first two films showcased crumbling and inevitable downfall of society, but it was not until Beyond Thunderdome that the theme of post-nuclear survival came into play.
The original Mad Max chronicled the downfall of society. Gang members from the dying cities fled into the Australian outback, feasting on their fellow men while cops tried to uphold some semblance of law. There was no mention of radiation, mutation, or fallout. Likewise, the opening narration of Mad Max 2 did not include any mention of nuclear weapons either, but rather, “Without fuel they (the great tribes) were nothing. They build a house of straw. The thundering machine sputtered and stopped”. Originally, the world of Mad Max was about an energy crises that caused all cities to stop and fall apart. The Road Warrior follows up on that, showing what happens after society has collapsed. Continue reading →